Sometimes there's architecture IN a film, and sometimes architecture is LIKE a film. But sometimes the architecture IS the film: When it rises above just being a thing to see, and becomes a MECHANISM for a WAY of SEEING, that is the Architecture OF Film
Saturday, July 02, 2011
Great Movies of Summer: "Le Mepris" 
Le Mepris ("Contempt")  Directed by Jean-Luc Godard Cinematography by Raoul Coutard
Music Score by Georges Delerue
Shot in Rome and on later on the Isle of Capri, this much revered film provides a vicarious, visceral immersion into the heights of summer.
Over the languid, churning strings of Georges Delerue's brooding, original score, under the steep, angle of a high sun burnishing the earthen-colored stucco walls, laying them bare and ablaze with scant relief of stark shade, the long tracking shots, the crack of gravel underfoot, and with back-and-forth conversations often repeated by a character translating between languages, the scenes shot outside the Cinecitta Studio buildings are heavy with afternoon heat.
Later, as we climb around the pitched, platonic geometries of the Casa Malaparte, otherworldly in its siting on the edge of a rocky cliff, timeless in its elementary architectural detail, we are treated to every kind of solar trick and treat - washing the muted red plaster in relief against the dappled refraction of cobalt sea below, hitting hot the flat, unprotected stone terrace roof above, and reflecting through raked violet shadows on the steps to get there - you can feel the sun on your neck and the sweet smell of jasmine & honeysuckle swelling the balmy air.