Once again, Bass captures the essence of the subject - the marquis lights of Las Vegas, blinking on and off, revealing and concealing, full of color and sparkle, motion and glamour, all while spelling out the contents of the film about to begin.
Sometimes there's architecture IN a film, and sometimes architecture is LIKE a film. But sometimes the architecture IS the film: When it rises above just being a thing to see, and becomes a MECHANISM for a WAY of SEEING, that is the Architecture OF Film
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